http://fr.wikipedia.org/wiki/R%C3%A9publique_fran%C3%A7aise_(r%C3%A9gime_politique)
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Lusthaus (undated: unpaginated) holds that:
Vasubandhu‘s most original and philosophically interesting treatise is his Twenty Verses (Vi.m`satikaa). In it he defends Yogaacaara from objections by Realists. Yogaacaara claims that what we think are external objects are nothing more than mental projections. This has been mistaken for an Idealist position because interpreters focus on the word ‘object’ instead of ‘external.’ Vasubandhu does not deny that cognitive objects (vi.saya, aalambana, etc.) exist; what he denies is that they appear anywhere else than in the very act of consciousness which apprehends them. He denies that such cognitive objects have external referents (bahya-artha). What Vasubandhu means is that cognition never takes place anywhere except in consciousness. Everything we know we have acquired through sensory experience (in Buddhism the mind is considered a special type of sense). We are fooled by consciousness into believing that those things which we perceive and appropriate within consciousness are actually ‘outside’ our cognitive sphere. Put another way, we mistake our interpretations of things for the things themselves. Consciousness is driven by karmic intentionalities (the habitual tendencies produced by past actions), and how we perceive is shaped by that conditioning. The goal of Yogaacaara is to break out of this cognitive narcissism and finally wake up to things as they are, devoid of erroneous conceptual projections.[2]
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“Money on My Mind” – Salvador Dali
…. Dimensionality is a Cut of the Matter Moving in the Space of the Time and Captured by Artist …. Serge Vedernikov `SV`
DIMENSIONALITY ART —–>Moving Pictures—-> 4Di EFFECT
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